How TommyFilmm Is Preserving the Energy of Live Music and Documenting the City, One Tape at a Time
To start, could you please introduce yourself?
I’m Tommy, also known as TommyFilmm — a Melbourne-based videographer and photographer. I capture music, nightlife, and culture using vintage gear like camcorders and film. My work is all about raw emotion and nostalgic energy.
How did you get into videography & photography?
It started naturally — just filming friends at events. I didn’t plan on doing this professionally, but over time, I realised I had a real passion for capturing moments that felt honest and alive.
Do you remember what your first camera was?
Yeah, it was a second-hand Panasonic camcorder. The footage looked rough and glitchy, but I loved it. That look ended up shaping my whole style.
Your videos & photos are incredibly unique; how did you develop your style?
By not following trends. I stuck with what felt right — old-school gear, raw edits, and documenting real energy. My Ethiopian roots and love for music also influence how I see things visually.
What tips would you give other creatives trying to be authentic and find their style?
Don’t try to be different — try to be real. Your story, your background, your taste — that’s your style. Just keep creating, and your voice will come through naturally.
Do you have a favourite project you’ve worked on?
Shooting Skepta has to be up there. Back in 2018, I was meant to film him, but it fell through last minute — I was still new to everything and it just didn’t line up. So when I finally got the chance to shoot him properly, it felt like a full-circle moment.
Who or what inspires you, and where do you draw your inspiration from?
I draw a lot of inspiration from the people around me — friends, local creatives, artists chasing their vision without waiting for permission. Music is a huge one too. The energy of a live set, the emotion in a song — it all feeds into how I shoot.
What is your go-to camera setup? What gear do you currently use?
Sony Handycams, Canon MiniDV, and 35mm film cameras. I also use digital when needed, but always aim for a vintage, textured feel in the final look.
You’ve shot amazing musicians like PND, Lancey, Skepta — who would you love to collab with and why?
I’d love to work with Lancey again — but this time, on something more proper and thought out. Last time was dope, but I know we could take it further with the right concept and time. His energy and style are next level.
What are your thoughts on the Australian creative scene?
It’s growing fast. There’s so much talent here, especially from diverse backgrounds. I think the world’s just starting to notice, but we’ve been building.
Where do you hope to be in five years?
Directing full projects, touring with artists, and telling deeper visual stories that blend culture, music, and memory. Always creating, just on a bigger scale.
What single piece of advice would you give to a creative who is reading this?
Trust your process. Don’t rush to be seen — focus on being consistent and true to your voice. The right people will find you.
Any upcoming projects or collabs to share?
I’m working on a personal short film that blends sound, archive footage, and storytelling. Stay tuned.
